RAW versus Jpeg: Which should you use?

By Geoff Harris

Life is full of choices. Tea or coffee? Cat or dog? Work or play? RAW versus Jpeg? Quite often there is no right answer. The choice you make could be arbitrary and depend entirely on your mood that day.

Photography for Emily's Ark August 2010

This is an image shot for a client. Although I originally used Raw, the images were later converted to Jpeg for use by the client.

Photography throws a lot of choices at you too. If you’re like me you probably agonise over these choices. However, there is one aspect of photography where I’ve made a decision and I’m sticking to it no matter what. Well, most of the time anyway. I’m a Raw shooter and very rarely shoot Jpeg. However, even though I mainly drink tea there are occasions when a hot cup of coffee is just the ticket. Whether to shoot Raw or Jpeg can be a bit like that. Here’s why.

Jpeg (which stands for nothing more exotic than the Joint Picture Expert Group) is an image file type. It’s the party animal of the image file type world in that it’s used and seen everywhere. In Word documents. On this very website page (and on virtually every other website page on the Internet). And, it is of course an option on every digital camera. Any software that in any way supports image files will be able to handle Jpegs. If you shoot Jpeg your images will be ready for action as soon as they’ve been copied from your camera. If I were a photojournalist I’d use Jpeg for that very reason.


I use Adobe Lightroom to process and convert my camera’s Raw files. Other options include Capture One or the software that originally came with my camera.

Raw files are loners. They only work with certain types of software (such as the software that came with your camera or third-party Raw converters like Adobe Lightroom). This makes it difficult to share Raw files with others. Generally you need to convert the Raw file to another format first if you want the recipient to have any chance of viewing it.

Other disadvantages of Raw files (and it has to be said there are quite a few) include the fact that the file size is bigger than an equivalent Jpeg. Raw isn’t a standard file format in the way that Jpeg is. If you buy a new camera, even one by the same manufacturer, the Raw format of the new camera will be subtly different to every other. This means updating your Raw conversion software so that it’s compatible with the new Raw files. Raw files also need processing and tweaking. This takes time. I’m about six months behind with my Raw file processing and that’s not unusual.

Signpost pointing out the route of the Hadrian's Wall Path near Housesteads, Northumberland National Park, England

Raw files can be adjusted over and over again. The problem is knowing when to stop!

So why shoot Raw if it’s such a pain? The answer lies in the fact that you have more control over the look of your images. When you shoot Jpeg the various shooting settings you’ve chosen, such as white balance, colour mode and contrast, are ‘baked’ into the file. Although it’s possible to undo some of this later it’s not easy and can quickly lead to an unacceptable reduction in image quality.

With Raw you can maintain optimum image quality at all times. And you can revisit and rework Raw files endlessly. Want to try a black & white conversion? Go to the Raw file and make the changes. Want to revert to colour and add contrast? Just undo your previous changes and make new ones. A Raw file contains infinite potential. How you unlock that potential is very much a personal choice. One, it has to be said, is better contemplated over a hot cup of tea. Or coffee. No tea.

Geoff Harris

I am a journalist and photographer and currently work as the Deputy Editor of Amateur Photographer (AP) - http://www.amateurphotographer.co.uk the oldest weekly photographic magazine in the world. Before that I served as the editor of Digital Camera, Britain's best-selling photography magazine, for five years. During my time as editor it became the UK's top selling photo monthly and won Print Publication of the Year at the 2013 British Media Awards. As well as being lucky enough to get paid to write about photography, I've been fortunate to interview some of the greatest photographers in the world, including Elliott Erwitt, Don McCullin, Martin Parr, Terry O'Neill and Steve McCurry. This has been a wonderful learning experience and very influential on my photography. Beyond writing, I am a professional portrait, travel and documentary photographer, and reached the finals of the 2016 Pink Lady Food Photographer of the Year competition. I am a Licentiate of the Royal Photographic Society and hope to take my Associateship whenever I can find the time. In addition I write about well being/personal development and antiques collecting for a range of other titles, including BlueWings, the in-flight magazine of Finn Air.

Stay updated

Receive free updates by email including special offers and new courses.

You can unsubscribe at any time


Related posts

Our best selling courses

Awards & Accreditations

  • Good Web Guide
  • Red Herring Winner
  • Royal Horticultural Society
  • Education Investor Awards 2021 - Finalist
  • CPD Accredited (provider 50276)